Bulletin of the Bishkek State University

At the present stage of development, drama goes through a difficult path. This is due not only to the literary context, but also to the historical one. After the collapse of the Soviet Union, in- tensive transformational processes took place in the economic, social and cultural space. There has also been a shift in artistic paradigms. Thus, P. Rudnev states the aesthetic “gap” between the authors of the Soviet era and the authors of the 1990s–2010s. The rejection of the theatrical canons that existed earlier led to the rejection of the traditional understanding of the laws of constructing a dramatic text

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